Font for Global Communications

SST® – A font for everywhere from Monotype

Designed by Akira Kobayashi and a team of ten other type designers around the world, SST brings harmony and personality to communications across cultures and touchpoints. The SST typeface was designed to be universal and timeless, with support for 93 languages and outstanding legibility at all sizes. With the aim of creating an international font […]

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Font for Global Communications, Japanese Fonts

Introducing : Tazugane Gothic – a Japanese font with the flair of Neue Frutiger

Developed as the Japanese version of the popular Neue Frutiger by Adrian Frutiger and Akira Kobayashi, Tazugane Gothic™ is a humanist sans with clear and legible forms. The Tazugane Gothic typeface contains OpenType functions including proportional metrics and kerning. Like the Neue Frutiger typeface, Tazugane Gothic features ten different weights, ranging from Ultra Light to Extra Black, allowing for a broad range of applications. Please contact alt.TYPE if you are […]

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Chinese Fonts

New Chinese Font – Monotype’s Ying Hei™

Monotype’s Ying Hei™ Monotype’s Ying Hei™ is a new Chinese sans serif typeface family designed and built for performance and elegance on screen and in print. It is available in five weights covering text and display sizes, with versions for Simplified and Traditional Chinese. M Ying Hei was designed to the highest standards by the […]

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Font Highlight

New font : Introducing the DIN Next Slab Family

DIN Next Slab Akira Kobayashi Linotype An addition to a stalwart superfamily, the characters in the Din Next Slab typeface designs echo the underlying shapes, proportions and industrial precision of the popular DIN Next family. Character shapes remain simple and counters open, ensuring high levels of legibility. The fonts also contain OpenType® features that can replace the default […]

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Font Highlight, Handwriting & Script fonts

Calligraphic typeface: Bradley Texting

With Bradley Texting, Richard Bradley has published another calligraphic typeface that recalls the style of Bradley Hand and Bradley Type. In this case, however, Bradley has advanced the style with clearer forms for display on electronic instruments and on other formats. The letters for Bradley Texting began with a marker on paper. The somewhat narrow […]

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Korean Fonts

Korean Fonts

YD Gothic 100 YD Gothic 100 family is the most common font used in Korea. It is ranked first place in designer preference and customer preference. YD Gothic 100 is a clean and legible modern sans serif typeface. Its monolinear simple structure givesYD Gothic 100 it a kind of stable feeling, are functional, clean and […]

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