Korean Fonts

Korean Fonts

YD Gothic 100 YD Gothic 100 family is the most common font used in Korea. It is ranked first place in designer preference and customer preference. YD Gothic 100 is a clean and legible modern sans serif typeface. Its monolinear simple structure givesYD Gothic 100 it a kind of stable feeling, are functional, clean and […]

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Font Highlight, Sans Serif Typefaces

Avenir Font

Adrian Frutiger designed Avenir™ in 1988, after years of having an interest in sans serif typefaces. Avenir means ‘future’ in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is […]

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Font Highlight

Neo Sans and Neo Tech

The English designer Sebastian Lester created the Neo® Sans and Neo Tech typeface families for Monotype Imaging in 2004. Later in 2005, Intel commissioned the creation of a custom Neo font, Neo Sans Intel, for its rebranding. The British Labour Party has also used the font in branding and advertising, as have Kia Motors, Virgin […]

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Font Highlight

Fonts for all occasions

Fonts from the Fontfont and Linotype Libraries: Scala Sans, Frutiger, ITC Conduit, ITC Officina Sans, FF Providence, Trade Gothic, Myriad, Univers., Neo Sans, Akko, Thesis, Helvetica, FF Sale, Rotis, Avenir, Koorkin.

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Chinese Fonts

Chinese Fonts: Simplified and Traditional

Chinese is written in two different varieties of characters: Traditional and Simplified. The characters in Traditional Chinese are often more intricate composed of many strokes; while the characters in Simplified Chinese uses forms which have been reduced to fewer strokes. Beyond the graphical contrasts of the two characters, they are used in different areas and […]

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