The Between typeface is a delicious typographic concoction: one sans-serif typeface, expertly poached, boiled and scrambled into three new and unique styles by master type chef Akira Kobayashi of Monotype. The history of Between can be traced back to the 1990s. Kobayashi realised that many companies preferred a friendly neutral sans typefacefor their brand. He initially […]
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Designed by Akira Kobayashi and a team of ten other type designers around the world, SST brings harmony and personality to communications across cultures and touchpoints. The SST typeface was designed to be universal and timeless, with support for 93 languages and outstanding legibility at all sizes. With the aim of creating an international font […]
Read moreDIN Next Slab Akira Kobayashi Linotype An addition to a stalwart superfamily, the characters in the Din Next Slab typeface designs echo the underlying shapes, proportions and industrial precision of the popular DIN Next family. Character shapes remain simple and counters open, ensuring high levels of legibility. The fonts also contain OpenType® features that can replace the default […]
Read moreWith Bradley Texting, Richard Bradley has published another calligraphic typeface that recalls the style of Bradley Hand and Bradley Type. In this case, however, Bradley has advanced the style with clearer forms for display on electronic instruments and on other formats. The letters for Bradley Texting began with a marker on paper. The somewhat narrow […]
Read moreFB Agenda – recommended for Newspaper, Magazine, Web and Corporate use Designed by Greg Thompson, Agenda offers a high-style alternative to the contemporary Swiss sans. Agenda is a fresh humanist sanserif inspired by Edward Johnston’s magnificent London Underground face, drawn in 1916. Italics in particular are vital styles of their own, forming interesting alternatives to […]
Read moreHandwriting, calligraphic and script fonts from Linotype, Monotype, Bitstream, Fontfont, Scholtz, Hallmark, Sudtipos, Emily Lime, Bomparte and Kimberley Geswein. Font enquiries: please email info@alttype.com.sg
Read moreYD Gothic 100 YD Gothic 100 family is the most common font used in Korea. It is ranked first place in designer preference and customer preference. YD Gothic 100 is a clean and legible modern sans serif typeface. Its monolinear simple structure givesYD Gothic 100 it a kind of stable feeling, are functional, clean and […]
Read moreFonts that support Vietnamese Script Please email info@alttype.com.sg if you are interested in ordering any of these fonts.
Read moreAdrian Frutiger designed Avenir™ in 1988, after years of having an interest in sans serif typefaces. Avenir means ‘future’ in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is […]
Read moreMUSEO … it all started with Dutch designer Jos Buivenga’s love for U. One day this uppercase letter U just came to him as an image in a daydream. He saw the top of both stems bended into semi-slab serifs, and from that principle, he worked out the rest of the uppercase letters. His first […]
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