FB Agenda – recommended for Newspaper, Magazine, Web and Corporate use Designed by Greg Thompson, Agenda offers a high-style alternative to the contemporary Swiss sans. Agenda is a fresh humanist sanserif inspired by Edward Johnston’s magnificent London Underground face, drawn in 1916. Italics in particular are vital styles of their own, forming interesting alternatives to […]
Read moreNew fonts by Fontyou
Fontyou is a new Paris-based initiative with an ambitious plan, that is finding new ways to design and produce fonts. Using online tools, Fontyou establishes fruitful relationships between people with complementary skills — lettering artists, type designers, font technicians, and more. The outcome: something that’s greater than the sum of the parts — collaborative font […]
Read moreStylized Chinese Fonts – great for branding and logo design
Featuring M Ellan, M Elle and M Razor from Chinatype Design/Monotype: Simplified Chinese Fonts Syle M Elle is available in three styles – Light, Medium and XBold. To test sample text, click here. M Razor is available only in one style – XBold To test sample text, click here. M Ellan is available only in […]
Read moreKorean Fonts
YD Gothic 100 YD Gothic 100 family is the most common font used in Korea. It is ranked first place in designer preference and customer preference. YD Gothic 100 is a clean and legible modern sans serif typeface. Its monolinear simple structure givesYD Gothic 100 it a kind of stable feeling, are functional, clean and […]
Read moreFF Videtur
FF Videtur is a new Serif font family of 4 weights by Axel Bertram and Andreas Frohloff, suitable for Film & TV, Editorial & Publishing, and Small Text. The concept for FF Videtur is based on bitmap fonts created by Axel Bertram for the state television broadcaster in East Germany (GDR-TV) during the 1980s. Bertram […]
Read moreThe typeface that became HELVETICA
The digital revival of the Neue Haas Grotesk typeface by Christian Schwartz The first weights of Neue Haas Grotesk were designed in 1957-1958 by Max Miedinger. The typeface was later revised and released as Helvetica by Linotype AG. As Neue Haas Grotesk had to be adapted to work on Linotype’s hot metal linecasters, Linotype Helvetica was […]
Read moreVietnamese Fonts
Fonts that support Vietnamese Script Please email info@alttype.com.sg if you are interested in ordering any of these fonts.
Read moreAvenir Font
Adrian Frutiger designed Avenir™ in 1988, after years of having an interest in sans serif typefaces. Avenir means ‘future’ in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is […]
Read moreThe Sans – a modern classic
The Sans™ typeface family is a humanist sans serif font that is part of a larger family of fonts designed by Berlin, Germany based designer Lucas de Groot. Since its inception in 1994, The Sans design has grown to have a large following, and is thought to be one of the most widely used sans […]
Read moreMuseo Family – Museo, Museo Sans, Museo Slab, Museo Rounded
MUSEO … it all started with Dutch designer Jos Buivenga’s love for U. One day this uppercase letter U just came to him as an image in a daydream. He saw the top of both stems bended into semi-slab serifs, and from that principle, he worked out the rest of the uppercase letters. His first […]
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