Fontfont

FF Mark®

FF Mark is a new geometric sans: strong and simple, designed with utmost precision. True to geometric tradition, versatile for today’s needs. Created by German type designers Hannes von Döhren, Christoph Koeberlin, and the FontFont Type Department in 2013, this versatile family draws on historical examples from German geometry in the 1920s. FF Mark is […]

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fontsmith

FS Aldrin

Fontsmith’s first flexible rounded typeface named after the legendary astronaut Buzz Aldrin. FS Aldrin is a radiant type – pure, modern and rounded. It exudes warmth and approachability, yet with a sense of technical and precise elegance. Positive, bright, flexible and intrepid, it is a typeface that is handcrafted at every step. FS Aldrin feels at home in multiple worlds. […]

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Fontfont, Infographics

FF Transit

The typeface FF Transit is a highly legible design that works well for readers who need quick orientation while en route. Made to blend aesthetic quality with legibility, it was originally developed by MetaDesign in Berlin for official use by the Berlin Public Transportation Services (BVG) and Düsseldorf Airport. FF Transit is a typeface that […]

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Brand Identity, fontsmith

FS Siena

FS Siena is a luxurious typeface published by Fontsmith. Fontsmith founder Jason Smith drew out the raw letterforms with a Rotring pen while still at art college. After his diploma show, the typeface was filed away on Jason’s computer until he asked designer Krista Radoeva to finish it off 4 years ago. With its strong, […]

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fontsmith

FS Lola

FS Lola is a seductive typeface designed by London-based designer Phil Garnham. Lola is a typeface with a distinctly individual combination of both masculine and feminine qualities. This unique design was created to be versatile in a broad variety of designed environments at both large and small sizes. Lola is a font family full of life. […]

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Display fonts

DIN Next Shapes

Sabina Chipară’s DIN Next Shapes typeface is a twist on the original German industrial classic, taking its skeleton and re-clothing it in dots, hearts, snowflakes and stars. The design offers a more approachable and whimsical tone of voice than the original, while maintaining all the legibility and clarity of form that makes DIN Next such […]

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Font for Magazine, Fontfont

FF Tisa

Slovenian designer Mitja Miklavčič’s goal for FF Tisa® was to design a contemporary magazine font. It quickly became a new-millennium favourite of graphic designers, in print as well as on the web. Its large x-height and sturdy, well-spaced forms aid its legibility at text sizes, while its low stroke contrast and range of weights allow it to successfully function at larger sizes […]

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Font for Global Communications, Japanese Fonts

Introducing : Tazugane Gothic – a Japanese font with the flair of Neue Frutiger

 The Tazugane Gothic typeface family is the first original Japanese typeface created by Monotype. Designed by Akira Kobayashi, Kazuhiro Yamada and Ryota Doi of the Monotype Studio. Developed as the Japanese version of the popular Neue Frutiger by Adrian Frutiger and Akira Kobayashi, Tazugane Gothic™ is a humanist sans with clear and legible forms. This sans serif type was designed to set a new standard for the widely […]

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sans serif

FF Netto

Created by German type designer Daniel Utz, FF Netto is a no-frills typeface with as little historical ballast as possible. The designer reduced the letters to their characteristic base form and avoided all nonessential details. The letter form is based on the superellipse and curves are always designed with a linear vertical proportion. This lends […]

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Font for Global Communications, Fontfont

FF Kievit

Clear and highly legible, FF Kievit is a super family comprising FF Kievit, FF Kievit Serif and FF Kievit Slab. The FF Kievit family includes nine weights, true italics, old style figures and small caps—everything necessary for even the most demanding typography. is ideal for large projects in print and on screen. Michael Abbink designed […]

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